Guy Maddin writes, Tscherkassky has made two films cannibalizing Sidney J. Furie's 1982 Barbara Hershey horror film THE ENTITY, the story of a woman who is continually assaulted and raped either by real ghosts or by awfully adept repressed traumas… The screen literally explodes with a tumult of Hershey faces, shattering Steve Burum's original cinematography into shards of frightened eyes, trembling hands and violent outbursts of self-defense, presented in multiple exposures too layered to count, too arresting to ignore.
Samedi lives in a village in Wallonia. He works from time to time as a gardener and has a close relationship with his mother. Everyday life in the village, which has seen better times, Samedi's quiet and friendly nature and the still largely intact rural setting stand in stark contrast to the heroin addiction Samedi has suffered from for over 20 years, which only his family knows about. His relationship with his mother changes when he makes another attempt to get clean. Paloma Sermon-Daï’s documentary paints a restrained, highly precise picture of a relationship marked by affection and love but which is also difficult to define in relation to Samedi's problem. As the camera observes the long, concentrated conversations he has with both his mother and his therapist, a picture of addiction comes into view which is part of a family structure. This becomes embedded in something larger in turn via the individual images of the village. Petit Samedi creates an image of dependence in which individual, family and social coexistence are intertwined, without falling into the trap of saying what might be able to solve the problem.
An intimate celebration of George Michael and Andrew Ridgeley’s enduring friendship, from childhood and through their years together as one of the UK’s biggest bands.
Michael and Ridgeley met at school in Bushy, near the town of Watford. They first formed the ska band The Executive before going on to release their first single as Wham!, Wham Rap! in June 1982. Success wasn’t immediate, but when it finally came, the pair crested a wave of success that continued until their farewell concert, The Final, at Wembley Stadium in June 1986. Chris Smith’s hugely entertaining film offers full and unprecedented access to the band’s archive, including unseen footage and interviews with the duo. The result is a nuanced portrait of an enduring friendship and a joyous musical travelogue.
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A homicide detective goes undercover as a patient to investigate a psychotherapist he believes is linked to a strange double murder. As his therapy sessions continue the line between fantasy and reality begins to blur.
富家小子查理·巴特利(安东·叶利钦 Anton Yelchin 饰)同时是一位点子奇多的中学生,因此履出状况的他常常被各个私立学校拒绝甚至开除,迫于无奈,父母只好让查理进入一所鱼龙混杂的公立学校念书。初来乍到的查理难免被学校里的小霸王欺负得鼻青脸肿,然而很快,鬼马的查理就为自己的小聪明找到了的用武之地。当发现身边的很多同学都需要找人倾诉和寻求开导时,查理摇身变作校园里的心理咨询师,在男生寝室门口挂起了自己的小招牌,专门倾听同学们的苦恼,并给出意见甚至是草率地开起了药房。这个小小心理师的角色不仅给查理创造了一笔不小的财富,也让他成了新学校的宠儿。然而,看似单纯的校园生活可并非想象中那么简单,查理的“小生意”是否一帆风顺,又会有什么麻烦等着他呢?
When Emma, a baker in NYC, is hired to bake for the King and Queen of Sanovia's anniversary party, she is convinced a good job will lead to her landing a cookbook deal.
Successful businesswoman Vivian learns that she is suffering from stage 3 cancer. She hires a private nurse, Jaica, to take care of her. But Jaica begins to play a bigger role in Vivian's life as she becomes the bridge between Vivian and her son Albert, who has felt neglected all his life. The three change and are changed by their circumstance