Michael Powell teamed with actor James Mason (who also co-produced) to make a film loosely based on the life of controversial Australian artist Norman Lindsay. Age Of Consent stars Mason as a jaded painter who heads Down Under looking for a way to revitalize his creative soul. His self-imposed exile is interrupted by Cora, an uninhibited young woman on her own journey of self-discovery. The Age of Consent (1969), is Powell's final film, centers on James Mason as a disenchanted painter who finds a new muse in a tropical island model (a radiant and sensual, often nude Helen Mirren, in her first movie role).
迈阿密牙医奥斯(马修•派瑞 Matthew Perry
饰)的生活并不愉快,这一切都是因为他的妻子苏菲(罗姗娜•阿奎特 Rosanna Arquette 饰)。菲比为人泼辣,十分霸道,令到奥斯整天只能忍气吞声。这天,奥斯家来了新的邻居——吉米(布鲁斯•威利斯 Bruce Willis 饰)。这个吉米不简单,他曾是芝加哥的一个黑帮杀手,因为背叛了黑帮老大查理才来此暂避风头。查理已经发出悬赏令通缉吉米。
《鼠来宝:明星俱乐部》(Alvin and the Chipmunks:The Squeakquel)是贝蒂·托马斯执导的一部3D动画真人结合电影,为二十世纪福斯影业出品的《鼠来宝》系列电影第二集,影片由贾斯汀·朗、马修·格雷·古柏勒、杰西·麦卡尼、安娜·法瑞丝、艾米·波勒、克里斯蒂娜·艾伯盖特等配音,于2009年12月23日在美国上映。
影片主要讲述戴维计划将艾文、赛门与喜多送进高中就读,他们只好暂时放弃音乐工作回到学校上课,未料负责照料他们生活的负责人也是戴维的侄子托比,整天惹麻烦,而学校也在此时宣布停止音乐课程。3小鼠为了拯救音乐课程,必须经历经一连串的歌唱PK大赛;偏偏他们却在最紧要关头爱上了美丽又迷人的对手天团!浪漫的火花一触即燃。 [1]
上一集的相会,无意改变了作曲家戴夫·塞维利亚(杰森·李JasonLee饰)与三只可爱的花栗鼠艾尔文(贾斯汀·朗JustinLong配音)、西蒙(马修·格雷·库伯勒MatthewGrayGubler配音)与西奥多(杰西·麦卡尼JesseMcCartney配音),他们结伴出游,享受音乐的乐趣,当然也闹出不少的乱子和笑话。意外受伤的戴夫将三只小家伙托付给杰姬阿姨,还为他们办了入学手续。但杰姬阿姨也出了事故,艾尔文他们只能和戴夫不着调的侄子托比(扎克瑞·莱维ZacharyLevi饰)混在一起,开始了校园生活,还结识了另外三只美丽可爱的小花栗鼠布列塔妮(克里斯蒂娜·艾伯盖特ChristinaApplegate配音)、埃莉诺(艾米·波勒AmyPoehler配音)与珍妮特(安娜·法瑞丝AnnaFaris饰)。有趣、浪漫且韵律十足的校园故事轻松上演……本片荣获2010年美国儿童选择奖最受喜爱的影片。
两年前阴差阳错之下,三只花栗鼠艾尔文(贾斯汀·朗配音)、西蒙(马修·格雷配音)与西奥多(杰西·麦卡尼配音)成功帮助一个事业失败的作曲家戴夫·塞维利亚(杰森·李饰)重新振作起来。如今光阴似箭,三个可爱的家伙已经彻底适应了人类社会,和戴夫的相处也算是愉快,当然花栗鼠们也没忘记间或捉弄戴夫。如今的戴夫已经是一位知名作曲家,而他的生活也开始忙碌起来,甚至没空管管自己的侄子托比(扎克瑞·莱维饰)的生活。
戴夫让艾尔文、西蒙和西奥多开始过起了校园生活,3小鼠为了拯救音乐课程,必须经历经一连串的歌唱PK大赛 而他们在校园里也遇见了另外三只同样热爱音乐的女花栗鼠——布列塔妮(克里斯蒂娜·艾伯盖特配音)、埃莉诺(艾米·波勒配音)与珍妮特(安娜·法瑞丝饰)。浪漫的火花一触即燃。 [2]
The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Haseeba, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad's destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a 'lovers on the run' intrigue that fleetingly recalls Murnau's classic Tabu (1931).
Across all the arresting, shifting peripeteia of its plot, Abbas Amini's film deftly dramatises the complicated question of commitment: do we commit ourselves to a political cause, a set of religious beliefs, or a person? And how do we negotiate the commitments of others, even those closest to us, when they are based on a very different value system?
With its sparse music score, densely naturalistic acting and unostentatious camera work, Endless Borders is almost a minimalistic suspense thriller (with Hitchcockian overtones), combined with a heated family melodrama – but it never loses sight of the serious and extremely timely issues that it raises.
源自:
https://iffr.com/en/iffr/2023/films/endless-border
The lady is Mrs. Hilyard, a wealthy poetess who lives in a three-story city mansion and her cage is her elevator, which stops a dozen feet short of the main floor due to an electrical failure on a July 4th weekend. She rings her outside alarm, eventually noticed by a drunken derelict, who breaks into the house, ignores her plight and helps himself to various items and alcohol. ...