大学时代，安德鲁（乔舒华·莱纳德 Joshua Leonard 饰）和本（马克·杜普拉斯 Mark Duplass 饰）是学校里的叛逆分子，在那些疯狂的日子里，正是本和安德鲁之间的友情让一切记忆变得闪闪发光。毕业后，本成家立业，过起了安定而平静的生活，可安德鲁却选择了与之相反的人生道路，成为了一名街头艺术家，两人渐渐淡漠了来往。 时隔多年，安德鲁的突然出现让本欣喜若狂，在重叙旧事之间，两人的内心里都充满了感触。对于本的现状，安德鲁很是瞧不起，他带着本参加了一个疯狂的聚会。在聚会里，拍一部色情艺术电影成为了众人议论的主题，他们决定带着这部电影参加艺术节。很快，影片的两个主演就确定下来了，他们竟然是安德鲁和本！而在一番不堪回首的折腾之后，两人均发现，他们之间的友情开始变质了。
After nearly fifteen years behind bars, lefty revolutionary Bruno (Belvaux) escapes and heads back to Grenoble, France. His plan? Settle some old scores, hook up with his foxy ex-lover (Frot), and avoid the cop on his tail (Melki). An unexpected event, however, brings cop and crook closer than they ever could have expected.
After a New York City woman is sexually assaulted while walking home one evening, she struggles to accept the truth and rediscover the intimacy within her relationship.
A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.
A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality.
Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others.
The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.
朝鲜60年代经典恐怖片！
The kisaeng (korean geisha) Wol-ha marries Kim Han-su, but soon dies because of a false accusation made up by her husbands mother and her servant. Now the ghost of Wol-ha wants revenge!
纽约布鲁克林，有一个意大利家庭，每到月圆之夜，他们仿佛被施了魔法，会做出一些莫名其妙的举动。洛丽塔·卡斯托里尼（雪儿 Cher 饰）是家里的独女，年轻貌美，是公司里的会计师。因为前夫遭遇车祸，而成了寡妇。某晚，在酒馆里，洛丽塔目睹了邻桌分手的惨 剧，仿佛受了刺激，决定跟41岁的单身汉强尼结婚。她让强尼用尾戒求婚，于是众目睽睽之下喜结连理。不过，因为母亲病重，强尼离开了纽约，临走时让她邀请弟弟罗尼（尼古拉斯·凯奇 Nicolas Cage 饰）参加婚礼。她去面包房见到罗尼，后者听到婚事异常激动，并讲述了反对的理由。她据理力争，他根本不听。后来，她邀请他到家里做客，希望兄弟俩冰释前嫌，却没想到在一番激烈的争吵后，他们之间的关系发生了微妙的变化……
