探索迈克·泰森作为拳击冠军的崛起，他的个人斗争，包括监禁、药物滥用和争议，以及他最终的救赎——通过他的成长和成熟来看待他两极分化的生活。

作家丽莎·康拉德目睹了她妹妹安娜被杀的惨剧，并因此几乎十年都过着孤立的生活。在电视上看到疑犯后，她想出了一个用自己作诱饵来抓捕凶手的计划。

Wendy (Dakota Fanning, Once Upon a Time in Hollywood, MIFF 2019) is 31 years old and happily in love with Jack (Jake Johnson, Safety Not Guaranteed, MIFF 2012), a divorcee in his 40s. The only snag in their age-gap relationship: she wants to have children, but he doesn’t want more than the two he already has; he’s also leery of getting married again. Hoping to inspire her to outgrow those particular urges, Jack proposes a six-month break in which she might dive into the Anchorage dating pool. What he hasn’t accounted for is the reappearance of Wendy’s handsome ex, a pilot who may prove less flighty than he once was. 　　The Sun Never Sets marks the first full-length feature in nearly a decade by Joe Swanberg (Drinking Buddies, MIFF 2013), an auteur who helped to forge the mumblecore lexicon – and launch the acting career of Greta Gerwig – with such heavily improvised and incredibly frank flicks as Hannah Takes the Stairs and Nights and Weekends. Though suffused with the same bracing candour and wit as those earlier, lo-fi ventures, Swanberg’s latest is captured on handsome 35mm film. 　　“A masterful portrait of humanity’s inability to figure out what we actually want at any given time … one of the mumblecore pioneer’s finest films.” – IndieWire

故事围绕着从小一起长大的好朋友艾玛·泰勒和佐伊·凯勒展开，她们约定共同迎接为人母的旅程，决定一起生孩子。然而，当只有一人怀孕时，她们的友谊受到了严峻的考验。

本剧以宋末元初棉纺织革新家黄道婆传奇人生为核心叙事主线。剧作采用双线叙事结构：主线温润铺陈黄道婆在崖州融汇黎汉织艺、与师友共度冷暖岁月的人生历程；副线刻画乱世流离中个体命运的重逢与坚守。双线交织，南北交汇，黄道婆自崖州北归乌泥泾后改良纺车、广授技艺，终成“棉神”美誉。全剧聚焦个体命运与文明传承，以质朴影像语言呈现黎锦技艺与民族交融图景，摒弃悬浮说教，生动诠释中华优秀传统文化的创造性转化、创新性发展，讴歌人民创造伟力，于润物无声中传递有温度的中华文明故事。

一位游乐园古生物学家和一位倒霉的保安联手阻止一只隐形猛禽在他们的小镇上肆虐。